537. Sunday Lunch At Samo.

 

  Chef Elliot Brown opened his restaurant Samo in March 2026 in the Great Western Arcade. The location had previously been home to Land before it moved a short distance along the arcade and prior to Land’s occupation of the site it had been home to Bistro 1847 where once in his salad days Alex Claridge had served vegetarian dishes. Brown has a distinguished curriculum vitae, having trained at the Hotel du Vin and then at Simpsons when Leo Kattou, now at the Bower House in Shipston on Stour, was Head Chef there. Subsequently Brown worked at Aktar Islam’s short-lived Legna and then at Tierra Tacos and Trentina both in the Jewellery Quarter and then he had gained experience with Italian-style food at Tropea in Harborne. Brown is assisted in the kitchen by Greg Shephard, his sous chef.

  Brown’s intended style for his own restaurant was a wise choice - ‘modern bistro’ - with an emphasis on the seasonality of ingredients. My first visit to the new restaurant was for the first Sunday lunch to be served there and it proved to be a very pleasing experience. It really was very good. I was the first diner to arrive for the particular sitting and I received a pleasing welcome and then sat back to enjoy an anis aperitif while the other diners trickled in. The middle class on a Sunday don’t like to hurry themselves.

  As starter I chose an impressive-looking and tasty prawn cocktail surmounted by two king prawns looking accusingly with their dead eyes from the rim of the dish. There was a very generous portion of little shrimps and the Marie Rose was well made.

  But of course I was there for the roast beef and out it came - tender, pink and blushing. There came with it a fine crusty Yorkshire pudding and a banquet of vegetables - very edible beef dripping roast potatoes and slices of roast turnip, gorgeously - yes, gorgeously, that’s the very word, buttery mashed swede with creamed leeks and cabbage and, as an extra, cauliflower in cheese sauce. More vegetables than I could manage but I made a good attempt and there really wasn’t very much left on my plate by the time I surrendered it to be taken to the dish washer, be it machine or human.

    I was kidnapped by the lovely creamy rice pudding with compôte when I read the dessert menu and my choice was fully vindicated by the intense enjoyment it gave. Modern bistro had rendered classic, fine English Sunday lunch. And I had been seated at a window table and what a relaxing time I had watching the Sunday afternoon shoppers pass by. Brilliant!

Elliot Brown & Greg Shephard

Rating:- 🌛🌛🌛🌛

29 March 2026.

533. Albatross Death Cult.

 

  I made my reservation for the first service after the announcement of the 2026 Michelin Great Britain and Ireland awards in anticipation of Albatross Death Cult being awarded a Michelin star which it well deserves but did not receive. In all events its mother ship, The Wilderness, was the winner of a richly deserved Michelin star instead so Alex Claridge had something to smile about if he could find the necessary facial muscles to carry out such an act. I imagine he did while celebrating his success in Dublin where the award ceremony had been held.

  I was charmingly shown to my place at the counter as I have got used to during my now several visits to the restaurant which Grace Dent now famously described as one of the top five seafood restaurants in Britain. The maestro of the ADC kitchen, Oliver Grieve, was in place with one assistant preparing the first nibbles of the forthcoming meal and I ordered a pleasing cocktail to get myself started.

  The menu mixed old favourites with new additions. From the former group were the oyster cream amuse bouche and the signature mussels with a broth of n’duja and aflame with pepper - this dish seemed to have evolved to its ultimate state of existence - and the divine sushi rice ice cream with nori wafers. The world will not end while these three classics continue to survive.

  There were of course other wonders - Ollie Grieve was at the top of his game - the trout with dill and wasabi, the gorgeous miniature crumpet on which crab was being serenaded by apple, perfectly cooked cod partnered with artichoke and hazelnut, brill partnered by punchy smoked eel and trout once more but this time partnered with lobster. 

  The dessert brought to the table nicely poached seasonal rhubarb holding hands with crème fraiche and all shook up by Szechuan pepper. And I too felt shook up as Oliver told me that this was to be his penultimate service at ADC as he prepared to depart for Woven by Adam Smith at the Dorchester Collection. It’s hard to imagine what will happen at ADC next but Ollie Grieve is a very talented young chef and he is surely wise to expand his experience at this stage of his career. Let us hope that for the gourmands of Birmingham, it is more a question of au revoir rather than adieu.

Rating:- 🌞🌞🌞.

11 February 2026.

534. The (Starry) Wilderness.

 

  It is not unknown for me to dine at The Wilderness. My first visit was shortly after it opened in Dudley Street back in 2016 if I remember rightly, or was it perhaps the end of 2015. Time passes and one forgets details. I remember the shock of the moss covered walls, an exquisite lamb dish and those citric tasting ants lining up to get at the cheese tart. The rest, they say, is history. Ten years or so later, Alex Claridge now has his well-deserved Michelin star. It’s fair to say, I think, as an interested eyewitness, that the ten years leading up to the award have been ten years of relentless struggle but finally the walls of Chateau Michelin have been scaled and the starry flag carried off to be flown at Wilderness Castle. I was happy to be dining at The Wilderness, just a week and two days after the memorable ceremony in Dublin where Claridge’s skill was awarded the recognition it deserved and much celebrating, apparently, took place.

  I was pleased to congratulate Chef and his excellent crew and have a brief chat and then to settle down and be cosseted and regaled with the dishes from the full dining menu - £150 - yes, I know but it was a special occasion  - which was as full of luxurious items, almost all finely cooked, as one might expect - unimpeachable A5 wagyu with an astonishing crab velouté and alive with tamarind, excellent, gorgeously flavoured saddle of lamb and perfectly cooked, gorgeous venison perfectly matched with beetroot and sweet plum. Unfortunately the preceding halibut was served cold and undercooked which was embarrassing for everybody given the so very recent award of the Michelin Star but the problem was quickly rectified and another dish was served, appropriately hot and nicely cooked. Mistakes happen sometimes.

  The pre-dessert was great fun with jalapeno and sorrel combined with the sudden sweet sting of grape and the dessert was mildly challenging as rocket elbowed its way in to a dish of nicely cooked rhubarb and pistachio. Fortunately the rocket did not elbow its way in too much as I really couldn’t taste it and so all was well that ended well at this newly starry but long-established Jewellery Quarter restaurant with Alex Claridge remains uncompromising in his drive to bring his dinners the good,the inventive and the sometimes challenging. No ants though, thank heavens.

Rating:- 🌞🌞

526. Wilderness Tenth Anniversary Dinner.

  The Wilderness has been located down a side alley off Warstone Lane in the Jewellery Quarter for longer than was ever intended. After its move there, an old former factory and previous home to Two Cats, Big Nanny’s Jamaican Kitchen, Choolo, Toque D’Or and Restaurant Gilmore which first opened in 1997, Alex Claridge had planned to make it a temporary site for his dining establishment before moving it after a short period to somewhere more permanent. Plans fell through and The Wilderness settled in to its present site very comfortably. The restaurant had been born under another name - Nomad - on 15 November 2025 at the Urban Coffee Co. in 1 Dudley Street, close to New Street Station but was necessarily renamed as The Wilderness shortly after opening in April 2016  because of the extraordinary pressure put on Alex by a New York hotel, NoMad, which threatened to take legal action because it claimed that Claridge had taken on the hotel’s name which of course was pure nonsense.

  Right from the word ‘go’, The Wilderness caught the local press’ attention with some of the ingredients used in some of his dishes - ants, for instance, in place of citric fruits because Claridge wished to source hyper-locally and ants were readily available while lemons were not a recognised feature of West Midlands agriculture - it all got rather farcical when a friend I was dining with there asked for some lemon with his glass of tonic and was offered the only source of citrus at hand - ants - which he politely declined. Despite this extreme idiosyncrasy, now long an eccentricity of the past, the food that Claridge was serving in Dudley Street was remarkably good and a sublime lamb dish I had there remains forever in my memory.

  And so, just before Christmas 2025, I wandered through the vaguely festive streets of the Jewellery Quarter in the direction of the alley in Warstone Lane. The welcome was warm and the kitchen alight with activity. This was The Wilderness’ 10th birthday dinner and a worthy celebration it was. The theme of the dinner was old favourites reimagined and there was a surprise in the kitchen with Jonny Mills working there while he waits for his own Sāēl to be open for business. This was a tasting menu costing £150 but rather oddly called Requiem, though unusual and vaguely morbid names never come as a surprise from Alex Claridge. So Requiem it was and the meal began.

Menu signed by Ediz Engin and Alex Claridge

  Firstly, two pleasing amuses bouches - as often at The Wilderness, a croustade and a tartlet. And then Claridge’s Big Mac, a fine beef tartare dating back, according to the menu, to 2019, and delivered by Jonny Mills. Then another ever evolving Wilderness dish, the Carrot 2025, which originated in its first primitive form in 2015 and I presume, may well have been served when The Wilderness was still Nomad and also harked back to when Alex had been a chef until 2013 at the now long closed vegetarian restaurant, the Warehouse Cafe in Digbeth where I remember eating a languid and somewhat glum pak choi (I would be sure that anything so dreary had not been cooked by Alex) and resolved to loath the useless vegetable for the rest of my life. Alex had then moved on to be Development Chef at another vegetarian dining establishment, Bistro 1847 in the Great Western Arcade, before starting to do pop ups of his own food at the Kitchen Garden Cafe in Kings Heath. Presumably by the time Carrot 2015 made its first appearance, Alex had worked out just the right thing to do with a carrot.

  Then came a brilliant dish - witty, hilarious, original, delicious - Trout - Truffle - inspired by the 2016 dish, Trout & Soil. Overlying a piece of finely prepared trout lying on a bed of truffle was a pastry fish one which gave a dish of trout some great visual characterisation and on it, more truffle. This was a highlight dish of 2025.

  Next some very nicely cooked quail with a brilliantly tasty crab curry sauce. This was based on the dish NAFB which dated back to 2018 and afterwards a piece of venison as I like it - a nice pink slice with  a wholly agreeable bite to it - paired with plum and beetroot and based on Alex’s 2015 Venison and beetroot. This worked very well and shows that despite years of cooking vegetarian food by the time 2025 came around he was already a master of meat and the precise matching of ingredients.

  Next there was a small but delightful version of his 2019 white chocolate banana filled with mango which, to the best of my recall, he first served at his then other restaurant, Nocturnal Animals in Bennetts Hill (what an ingenious and fantastic surprise it was when it first made an appearance) although the menu dates it to the dish Banana 2023 which suggests that Tom Shepherd served a version of it first on The Great British Menu which is not correct. This remained a clever, meticulously prepared and delicious item to boost anyone’s spirits, even Alex’s.

  We were in the home straight. The predessert was titled sorrel and jalapeño ”cheesecake”, inspired by Claridge’s White chocolate and wasabi from 2017. The hit of heat from the jalapeño was fun though I think the description of a cheesecake even in quotes was stretching things a bit - it mildly scruffy and removed from Claridge’s usual meticulously arranged plates. But we went on and arrived at the dessert proper of Chocolate-cherry-cep inspired by the 2016 Cherry and mushroom.

This was a reflection of a former more radical Alex Claridge and was very edible though very filling and it took some to get to the end of it but the process of ingesting had been very pleasurable.

  I took my petit fours home with me, bid my Christmas farewells and happy new years and, of course, happy birthdays, enubered and was whisked home while I wondered what Alex Claridge would be presenting us with in the next 10 years.

Rating:- 🌞🌞

20 December 2025.

  Meanwhile the faces in the kitchens of Birmingham’s fine restaurants continue to shift around like tectonic plates. No sooner than they were first spotted in the kitchens of The Wilderness a few months ago, Messrs Lewis Perks, the talented pastry chef, Jordan Johnson and Evan Holliday, all late of Simpsons where the latter two were working when they appeared on Masterchef The Professionals and before they worked at Claridge’s restaurant, are now to be found working at The Fountain gastropub in Clent. That should be interesting.

Perks, Holliday and Johnson at The Fountain.

  Meanwhile at Simpsons, where a friend dines regularly, I am told by him that the restaurant manager, Steve Locklin, has now left his post there after about a year and we have already reported that the sommelier, Thomas Moore, has moved from Simpsons to Glynn Purnell’s new glitzy restaurant in Snowhill, Trillium. All of this makes it more difficult for Luke Tipping to deliver the high standard of food we have come to expect at Simpsons in recent years. Presumably many of these departures are linked to the proposed sale of Simpsons which so far does not seem to have advanced to any degree. But for now, at least, Luke Tipping ploughs on and Simpsons remains.