Friday, 8 July 2022

256. Café De Paris by Didier.




  The dog and I have committed ourselves to touring the West Midlands in easy bite-sized journeys. Over the decades I’ve experienced the horrors of international travel to 115 countries, visited some wonderful places, stayed in some remarkable hotels and dined rather well but on the other hand I have also endured trips to pretty awful spots on this globe, stayed in cockroach infested hotels, been offered food to eat that the dog would most assuredly have turned her nose up at, been in a city where a coup was taking place, been in Kuwait just before the Iraqi invasion, been given rides in lorries along roads on sheer cliff faces where the road has been half washed away, been close to being arrested in Eritrea for being in the wrong place at the wrong time, stuck in Athens for days on end when I needed to get home because of that wretched Icelandic volcano … the list goes on. Frankly I can’t do it any more. So touring the West Midlands in bite-sized chunks of journeys is just up our street. 
  And we’ve covered a lot of ground. So where to go next? Well I hadn’t been to Stourbridge for about fifty years. So Stourbridge it was. And what did I discover there quite by accident? The newly opened Café de Paris by Didier. Didier, I thought, could that be Didier Philpott whose Toque D’Or was listed by Michelin 20 years ago and who was also chef patron at Edmund’s? A quick google revealed that yes it was - it was the legendary Didier Philpott, now 44 years in the business. So there was nothing to do but reserve a table and head back to Stourbridge for dinner to see how this chef was faring in his new venture.


  Serendipity had resulted in my discovering the Café de Paris’ existence and sometimes the best things happen as a result of serendipity. Firstly there was the fun and bemusement caused by Stourbridge’s own, probably unique, rail service which involves travelling by a normal train to a station called Stourbridge Junction and then boarding a strange little one carriage train on a single track which dawdles backwards and forwards pleasantly and uneventfully to Stourbridge Town.
  And so to the restaurant. Bright, modern decor and a pleasant welcome awaited me and I rapidly settled into feeling comfortable and relaxed. Chef and his kitchen staff could be glimpsed through a large window which gave him as good a view of the diners as they got of him. The menu was simple, broadly French and appetising.


  A pleasingly fresh and crusty baton was served with butter from Netherend Farm, the origin of it being indicated by the foil paper containing it (probably best served without I’d have thought though all very honest in this era of cultured butters with various additions inserted in them). Personally I like good honest salted butter. Then the starter of Coquilles St Jacques - very spot-on cooking of the gorgeous scallops served here with pea purée and nicely salty bacon and a herb butter sauce. Rustic, less simple than it looked and enjoyable.






  For my main course I chose boudin noir - delicious blood sausage - with pork shoulder steak which was a little more chewy than I might have wanted, and caramelised apple, 3 little mounds of lovely mashed potato and excellent mustard sauce. Then, for dessert, a finally crafted tarte Parisienne with summer berries. 
  Chef came out of the kitchen and spoke to all his diners. It was interesting to talk to him about the Toque D’Or and Edmund’s and hear his thoughts about where restaurants are now.
  This was a relaxed and satisfying meal. None of the mad scramble we’ve got used to with multiple tiny dishes flying out of the kitchen, front of house staff reciting inaudibly a string of ingredients making up each course, an excess of glasses of wine ushered in as a ‘flight’. It did feel very French. And unpretentious in a well-judged sort of way. It was as though Chef had decided this was his approach, it suited him regardless of the daft madnesses of modern fine dining and if it didn’t suit a Gallic shoulder shrug was the answer. The food looked like it should do - basically it looked like food rather than a post modern piece of art. Happy recognisable flavours. I think that Didier Philpott might just be on to something with his Café de Paris.





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