Wednesday, 26 December 2018

44. Turkey Cold Cuts.


  The Christmas feasting is slowly drawing to a close and if I wasn't seeing the Festival out in an ancient Warwickshire hotel in the town where Shakespeare was born there would be much to do with the leftovers (traditionally we always had a cockerel for Christmas Day in the time, now unimaginable to those who tell us that they know about food and were born after the mid-1960s, when chicken was a treat and not so common, relatively expensive and hopelessly tasty as few chickens can manage to be in these present times) freshly roasted and served with roast pork and everything else you could want, then cold cuts on Boxing Day and chicken and stuffing sandwiches in the evening and then probably a chicken stew on the day after Boxing Day, or perhaps chicken rissoles, before the family came to know curry. With the coming of curry turkey had already replaced cockerel as the Christmas main element and so the second day after Christmas was a turkey curry day and nothing was wasted (various family cats and dogs saw to that).
  The use of the word cockerel is important here and my mother liked to stress that this was no ordinary bird but was as magnificent as could be afforded and not some inadequate clucking creature scooped up from the farmyard. And the Christmas tea times were also not to be taken lightly, there was freshly baked ham and magnificent pork pies sent by a friend in Grantham (there was always a tense couple of days while the pies were awaited lest they did not arrive). Grannie White did all the Christmas baking - weeks before she had had numerous Christmas puddings boiling away and the mince pies and savoury pastries all came from her kitchen as did the Christmas cake. And not a cookbook in sight nor the need to read what a food critic had to say.
  So, as I began, with the Christmas feasting drawing to a close what lies ahead in 2019? Well, for me I expect my first gastronomic excursion to be a visit to Alex' Claridge's Nocturnal Animals sited in the same building as Adam Stokes' first pop up restaurant in Bennett's Hill until he moved to Waterloo Street. I shall especially look forward to finding out what the restaurant's real name is. Is it The Wilderness at Nocturnal Animals or is it just Nocturnal Animals? No doubt all will become clear.


  Sadly I can't bear visiting twee but scruffy little Moseley with its population of wealthy upper middle class remoaner liberal/socialist/Momentumist elitist coffee bar denizens so it involves a lot of mental struggle on my part to even contemplate visiting one of Birmingham's trendiest one Michelin star restaurants which is located in this near-inner city suburb by which of course I mean Carter's of Moseley. Brad Carter's menus of recent months have embraced the Japanese/far eastern fusion fad which so many other trendy chefs have found their ways to and I would like to go to see what he's making of this oriental intrusion on British cuisine but so far have not managed to summon up the mental vigour to find my way to Moseley. However, just before Christmas he held a one-night-only collaboration with the Original Patty Men at his restaurant where, improbably, the dishes on the menu were burgers. One dreads to think what the vegans of Moseley must have thought about such carryings on in the area. For an instance, when I saw that this was happening, I contemplated dropping temporarily at least my revulsion at the thought of visiting Moseley and setting out to give the burger night a try. But I was unable to rise to the occasion principally because I'm not a great burger fan and certainly not to a degree where I'm prepared to pay £30 for one nor am I keen on being faced with a brioche with an anatomically undisguised soft shell crab seemingly crawling out from it. I'll leave all that sort of stuff to the Corbynists of Moseley. The non-vegan ones that is.




43. Christmas In Stratford.


  At Christmas the dog and I go away and spend three nights or so at a 17th century hotel in Stratford-upon-Avon. I usually manage to reserve my favourite room which shows its age beautifully and is made up of two rooms - a sitting area divided from the sleeping area by an ancient arch constructed from hoary beams - and if a room in an aged hotel ought to have a ghost this is it but neither the dog nor I have ever become aware of sharing the room with someone else when we have slept there.
  The hotel is no more than a couple of minutes walk from the Royal Shakespeare Theatre which is useful for going to see the Boxing Day evening performance of the Christmas play - this year it's a wonderful production of David Edgar's recent version of Charles Dickens' A Christmas Carol. It's also no effort to walk down to the riverside for a lovely long walk with my canine best friend or to walk up to Holy Trinity Church, where Shakespeare and some of his family are buried, for the midnight service on Christmas Eve to celebrate the arrival of the Baby Jesus on the midnight clear.
  As part of the Christmas package all meals are provided including the Christmas turkey, which remembering Scrooge, may or may not be The Prize Turkey. Alas it would not be true to say that this year it was the prize turkey since the hotel's chef had severely overcooked it and the end result was that it challenged the definition of edibilty somewhat. But I did eat most of it and what did not find its way into my alimentary system was wrapped up in a Christmas cracker and was gratefully accepted and rapidly consumed, as most things are, by Lucy The Labrador.


  The restaurant that is all the rage at the moment in Stratford is, as detailed in a previous blog, Salt. In the 2019 Michelin Guide, it was awarded its first star and professional critics generally are in raptures about it. My trips to Stratford have not given me the time to dine there for a long time though my visits to the restaurant soon after it first opened were very enjoyable (see Blog 35) but it means that I can not say how deserved is the current praise heaped on Salt. However while walking Lucy The Labrador in Stratford's Old Town I was able to take a peek at Salt's current menu.


  There's no denying that it's an interesting menu and chef Paul Foster has injected a few elements into it which qualify to be included in the Trendy Ingredient(s) of The Week series.

  Firstly, Miso, the traditional Japanese seasoning produced by fermenting soy beans with salt and koji (second trendy ingredient of the week - filamentous fungus used in Chinese and eastern cuisine) and perhaps rice, barley or seaweed. In Foster's menu miso is part of a dish which combines poached halibut, smoked eel (two more ingredients very high in the chef popularity charts at the moment) and seaweed (to be found in just about every restaurant at the moment).

  Next we have Crispy chicken skin (in a dish of carrot cooked in chicken fat, Crispy chicken skin and pickled carrot) which with Crispy fish skin is de rigour in any menu in restaurants which see themselves as being at the cutting edge.

  But most notable in Foster's depicted menu is Otterburn mangalitza which is a new one on me, the admission of which is, I acknowledge, a demonstration of my provincial ignorance and state of out-of-touchness; what Giles Coren has famously labelled my 'One eyeness'. What, we all ask, is Mangalitza? It's not a pasta, or Italian cheese or rustic European salad made from mangoes or even a mango pizza but, improbably, a Hungarian breed of domestic pig which looks like a cross between a sheep and a pig and which looks very appealing and more worthy of being a pet than a plate of food. Wikipedia tells us that the Mangalitza was developed in the mid 19th century by crossing old Hungarian pig breeds with wild boar and that the only British breed of pig with a coat of curly hair is the now extinct Baston or Lincolnshire Curly Coat. The meat of the Mangalitza is fatty but it is particularly useful for providing a sausage base.
  Paul Foster's dish is Otterburn Mangalitza, soured cabbage (hence recalling the pig's central European origins) with black shallot purée. I should love to try the dish but I fear that I would constantly visualise the creature's appealing face with every mouthful I fed myself.



Sunday, 18 November 2018

42. Elysium In Folium, Hades At The Fair.


  It was a great pleasure to have lunch at Ben Tesh's Folium earlier this week. The menu is depicted and my companions and myself chose the five course menu - mackerel and oyster, turbot, lamb, yoghurt and spruce and chocolate, cobnut and burnt cream. Each course was very fine - unimpeachable in fact - deliciously elegant in execution. The turbot was perfect and the lamb cooked perfectly for my taste. The sheep yogurt dish was refreshing and revitalising with flavour of spruce and the chocolate, cobnut and burnt cream dish was appreciated by all three of us with intermittent sighs of pleasure. This restaurant is less whimsical than some in Birmingham but characterised by consistent exceptional cooking. I shall not leave it so long again before venturing back into the Jewellery Quarter to return to Folium which by accident I keep referring to as Elysium which is not unreasonable as a far amount of ambrosia is served there.


  I took Lucy The Labrador with me on a trip to the Birmingham Frankfurt Christmas fair a couple of days ago and foolishly decided to have a currywurst at one of the fast food stalls which specialised in hot dogs. I wish I had not as the product served up was one of the most exceptionally unpleasant (allegedly edible) substances I have put in my mouth in a long time. The sausage was, frankly, horrible and the accompanying 'curry sauce' was of unprecented vileness, a sort of red, nastily acidic concoction. Lucy The Labrador who is not averse to consuming a little bit of spicy food was discerning enough to reject any of the sausage which had the red fluid on it though she did manage to persuade herself to swallow some of the naked wurst. I lived in fear that we would both have an upset stomach after this item of 'fast food' but mercifully I have suffered from nothing more than a revulsion at the thought of eating another sausage and a, hopefully temporary, reduction of appetite as every time I consider eating something a vision of this monstrous sausage rears into view.
  This Christmas market is well past it's sellby date - there's nothing fresh or interesting about it, most of the goods on sale are indescribably tacky and much of the food is, well, at the very least, unappealing but then again much of it is based on German cuisine whose reputation is as bad as that of British food in the 1950s so what should we expect?


  Trendy ingredient of the week (1) - heritage tomatoes:-

Saturday, 27 October 2018

41. Does Sheffield's Jöro Point The Way?


  To return to the main subject of Blog 39, I add a few extra thoughts about where is the future of dining out going to place us fairly soon? This week I visited Sheffield, not in the brief of this Blog for sure, but I was able to dine at what might be viewed as a cutting edge restaurant in that city which has been notorious for its poor gastronomic reputation over the past 30 years or so.
  My dining companion and I set out for Jöro (which is apparently Old Norse for 'earth') and were quite impressed when we arrived at a very stylish little restaurant housed in the Krynki shipping container development which seemed like just the right place for what we thought of as a rather adventurous place to dine.
  The restaurant states that its philosophy is based on a blend of influence from Nordic regions and Japan which they have nick-named 'Scandi-Jap-Mashup', the New Nordic Kitchen. Hmmm. The focus is on creating minimum fuss and producing delicious food using the best obtainable ingredients especially from local sources.
  Chef Luke French opened Jöro with his fiancée Stacey in December 2016 having worked for a short period as a youngster at Daniel Clifford's Midsummer House in Cambridge from whence he fled feeling overwhelmed by the place and then travelled around and worked in Asia and then worked in Sheffield for several years before trying out Jöro as a pop-up restaurant in the city. The chef most admired by Luke French is Paul Cunningham (a photograph of him occupies a prominent place in the restaurant), an English chef who holds two Michelin stars at his restaurant, Henne Kirkeby Kro, in Denmark. Presumably this foregoing paragraph explains the 'Scandi-Jap-Mashup' served up in Jöro. This is very interesting as one can not help but wonder if British exit from the European Union may result in young British chefs doing less of this international travelling especially on the European continent with the result that we see a contraction of foreign influence, especially European, on the future direction of British cuisine.


  A fixed 9 or 11 course Tasting menu is all that is served at Jöro and the menu may vary nightly. The home page of Jöro's website leads with the phrase, 'A meal built of many small plates'. Whether that concept actually works is sometimes questionable. A menu similar to that served to my dining companion and myself is depicted below. Some of the 'small plates' were indeed small gems. The mackerel with yuzu and coastal herbs, depicted at the head of the Blog was wondrously fresh and marine and the blue cheese and onion dish was delicious.
  In the middle of the meal things got a little out of hand. A small piece of duck, with an enjoyable, crunchy coating with plum sauce was really no better and less satisfying than a trip to a reasonable Chinese restaurant would have brought to the diner and immediately afterwards was, and to be honest it was a lovely piece of belly pork, another dish with a classic Chinese restaurant sauce - plum - which made me wonder why I hadn't just gone out 'for a Chinese'. The lowest point came next with a vaguely unpleasant dish containing charred broccoli and another brassica and not a lot else. I've made this point before (see Blog 5) - a plate of a single vegetable does not a course make and usually they're not very enjoyable. Please Chefs, serve your vegetables with something else.
  The meal as a whole was very good allowing for these false steps and it all represented tremendously good value. I'm not really convinced that we need to combine Scandinavian and Japanese food but it makes a change. I'd be very happy if Jöro upped sticks and settled down here in Birmingham and I could go there more often. As he matures I expect that Chef will swerve away from serving a plate full of brassicas and straight Chinese restaurant steals; some of the dishes worked very well and I would be happy to eat them again. But the brassicas - oh dear, a shiver goes down my back every time I think of the dish.
  O, I must go back again if only to have another piece of Chef's Ginger Miso fudge served as a petit four with the coffee.
  So perhaps we are still heading in the direction of using the freshest and most immediately available ingredients with less theatre both on the plate and in the restaurant but served in unusual and original forms and in chic, original environments. Refreshing dishes with a cleanness to them even though they may not always work.
  Jöro was awarded a Michelin Bib in the 2019 edition and the 2019 Good Food Guide rated it as having a 'cooking score' of 5 which, improbably, is just one less than Purnell's which I think says more about the underscoring of Purnell's than it does about the overscoring of Jöro.




Tuesday, 23 October 2018

40. Opheem.


  It's only fitting that Birmingham should have a great south Asian restaurant and Opheem fits the bill. For Aktar Islam, there is life after Lasan and for Birmingham diners his afterlife is a paradise of delicious food.
  The new restaurant is smart, modern and chic - as far away from one's idea of what a 'curry house' should look like as one could imagine. It is spacious and eye-catching and reeks 21st centuryness which is no bad thing. The staff are rising to the task - professional, helpful, polite, knowledgable and friendly without being overbearing.
  But, as always, in the end it's about the food. Michelin has already awarded the restaurant a plate, and rightly so, and my dining companion and I both relished an eminently pleasing lunch today. The experience had everything that one should wish to say one had enjoyed 'Fine Dining' and there was not a course which did not cause us to praise chef's offerings.
  For a start there were 3 spicy amuses bouches (illustrated above) and then some lovely sourdough bread with a delicious lamb pâté. And so to the starter. My dining companion thought his stupendous scallop to be thoroughly enjoyable and I had kukkut from The Punjab which was a perfectly spicy Goosnargh chicken with grains and pumpkin which did not add to the flavour but gave a bit of bite to the dish.
  My companion derived great pleasure from his dish served from the Traditional menu - Karahai, chicken tossed with whole coriander seeds, chilli and bell pepper and I opted to have my main course from the special menu choosing, enjoying fish as I do, Allepy, a beautifully cooked piece of halibut, mildly spiced, served with a delightful Kerala coconut milk, spinach, kohlrabi, squid in an immaculately crispy coating and raw mango. An extremely enjoyable dish. And, as the menu reminds us, a winning course on The Great British Menu.
  I lusted after one of the delicious-sounding desserts but my companion was too full to venture on to the third course so I politely declined to eat when he could not but I shall not miss the opportunity to try one next time I visit - and there will be 'a next time' and hopefully in the near future.
  Aktar Islam has added to Birmingham's great culinary reputation by opening Opheem.







Saturday, 13 October 2018

39. As Time Goes By.



  I am fascinated by food trends as they develop over the years here in Britain and of course in Birmingham in particular. In medieval times people of various strata of English society consumed the same food for centuries depending on their social status - a peasant could not eat what a king ate. Now, there are many dishes available to the reasonably well off as they are to a monarch, even the less well off may eat them if only by stretching their purses or more likely their credit cards, to give themselves a special treat. And people are not eating what they have had for centuries, rather tastes change rapidly in line with the advance of communications technology - if television shows a notable chef producing a new dish then other chefs may copy it and the watching public will demand a chance to try it for themselves. Now we not only eat our food but photograph it and some of it is indeed very photogenic.
  Chefs and restaurateurs have cleverly made us want to go to them so that they can serve us the cheapest cuts of meat in tiny quantities along with cheaper types of fish, odd bits of viscera to which the English thought they had said goodbye when rationing was ended in the early 1950s all served with odd grains and minute amounts of vegetables which of course are said to be good for us all served very prettily but extravagantly priced.
  With the arrival of Fine Dining all sorts of food stuff found it's way on to restaurant plates. The new items which no restauranteur would have dreamt of serving previously unless he were French and accustomed to the dreadful quality of food originating from that country which had satisfied the taste of peasants for centuries, were excused by all sorts of fatuous reasoning:- "I want to use the WHOLE of the animal", "I want to use SUSTAINABLE fish" "This (cheap) cut of meat is much TASTIER". A lot of spinning went on and the English dining public fell for it.
  How far can it go? We have already plumbed the depths of cheap ingredients and it's hard to think of items which can cost less for chefs to use. Well I suppose, 'I'm a Celebrity' fashion, there's still kangaroo anuses and witchetty grubs and no doubt someone will get there in time even if there isn't a Chef who has yet arrived there. But we've pretty well reached the end of the road of what an Englishman will eat and pay a large sum for the torture of doing so.
  But it's surprising what has survived for 15 or more years and is still out there. A particular bête noir of mine is pork belly. I remember when it was a cheap cut and respectable people thought it was below their dignity to consume this fatty lump in need of slow slow cooking. A dear elderly aunt of mine loved it - she called it belly draft which may just be a term local to The West Midlands - saying she preferred the fat, full of flavour, to the meat but to be honest the texture to me was just unpleasant no matter what it tasted like.
  I wish chefs could forget about the existence of pork belly and consign it to history and give chefs in forty years time the chance to rediscover it. And if chefs must cook it then at least cook it well. I used to cook it for my aunt and it really was rather good even if I say so myself. I had a very good pork belly dish last year at Paul Foster's Salt and Glyn Purnell still serves it up reasonably admirably from time to time. But this week I had one of the most horrible pork belly dishes that I can recall, not in the West Midlands I might add though it was in a restaurant I have found to be generally very pleasing, which usually represents good enough value and with a seaview to boot which ought to be good enough to put it in the running for a Bib Gourmand. But this one dish would have been enough to spoil its chances of even a Michelin Plate. I have the feeling that the committed young Head Chef must have been away to enable such a dish to be let loose in his restaurant.
  A large lump of belly was served containing a thin streak of not-very-nice-tasting meat and a vast array of fat between it and the spongy skin with no hint of crispiness about it. There was some crispiness served on the plate, adorned as it was by the thinnest sliver of crackling which was actually hard and potentially tooth-breaking and little black pudding bon-bons which added to the complete failure of the dish by being pleasingly crispy on the outside but horribly overcooked inside with the contents being dry and unpalatable. Nor did the disaster end there - the mash potato was claggy and lacking in any butteriness, the remarkably large half-'slow braised vanilla carrot' was seriously overcooked and I have no recall of being aware of the Thatcher's cider sauce being present on the plate so unmemorable was it. And then there were leaves, probably pea shoots, strewn inappropriately over the dish and, attempting to add a bizarrely twee finish to the dish's appearance which was otherwise particularly rustic, a couple of seriously out-of-place edible viola flowers. No wonder I retain my dislike of pork belly. This dish did nothing to make me want chefs to keep the cut in their repertoires.


  It had all started so well. Now we step back a couple of eras. The Sixties to the Eighties. Fondly remembered by all those old enough - Prawn cocktail - martini glass, little crustaceans, Marie Rose sauce, lettuce, finely chopped and hopefully not too limp, a slice of almost tasteless English-grown tomato and a couple of slivers of cucumber. The starter gave Chef's rendition of the classic item, reproducing it nicely and serving up a somewhat improved version. Served with mildly toasted white bread which was the only failure of the rebirth as the dish would have been so much nicer with little slices of nicely buttered thinly-sliced fresh white bread as it was in its own proper time in history. The only other problem with this starter was the way the cocktail glass was balanced precariously on a narrow board which was attractive visually but practically difficult because it was too narrow to use without its falling off the board. Oh yes!, there were more violas though I admit they looked more appropriate on the prawn cocktail than they did on the pork belly. Still, it was a splendid presentation and a tasty dish.


  At other times during this week I have had a couple of delicious fish dishes - below is shown a gloriously rustic but thoroughly tasty dish of pan fried hake (not a water bath in sight), samphire, crispy capers and nicely sautéed potatoes. When you're dining at the seaside there's something special about a well-cooked fish dish especially when it's up against a rather less well-cooked plate of pork belly.


  Which eventually brings me round to where I was intending to be. Food trends. In 2011 The Caterer published an article on the various eras of food offered in British restaurants in the 60 years that The Good Food Guide had been published since its first edition in 1951. As I was born only a couple of years after this first edition it pretty well tells the story of the food eaten in England since I was a child.
  Mercifully I was spared rationing with the final parts of it ending about the time I was born, the now, in this era of Corbyn, much admired Labour government of Clement Attlee having allowed it to continue for many years after the end of the Second World War and causing it to earn the general opprobrium of the population which had voted for it in 1945. I was therefore born into a world of fresh fruit and sweets and good quality cuts of meat which the generation before me could only dream of. Unlimited quantities of eggs and real good quality bread and bacon and anything that a hotel guest here in England might now expect as his right as part of his 'Full English breakfast'. If anyone who thinks that a Labour government is a good idea let them read the annual novels of Angela Thirkell who records the demoralising and sapping nature of rationing when imposed on a population which is no longer at war. It's no wonder that Britain earned a reputation for poor cuisine in the Fifties - no-one had had anything edible to eat for the previous 13 or years or so.
  The Caterer labelled the 1950s the age of Good Pubs and Steakhoses and you can hardly blame the British of that time for enjoying the cuisine emanating from such establishments since good beer and good steaks were prizes they had long been denied by War and the socialists' political dogma. The dishes which came into vogue included Game soup, oeufs en cocotte, pâté de maison, salmon mayonnaise, chicken Maryland, mixed grill, sherry trifle, crêpes Suzette and rum baba (if you must, baba au rhum). Ah yes, I may have been very young then but I remember them well and some of these old friends, having travelled through a phase when chefs felt they should serve them 'deconstructed' (presumably because that was easier than serving them 'constructed') are, like the poor, with us always.
  And so The Sixties sprung themselves on us with rock and roll giving way to pop. The Caterer labels the time, 'The Rise of The Restaurant' which resulted from Britain's growing wealth reaching the middle class and the skilled working class who felt a social status pressure to start dining out. In came previously unimagined foods which resulted in dishes such as avocado with prawns, smoked fish mousse, melon with port, coq au vin, steak Diane, trout with banana and almonds, zabaglione, chocolate rum mousse and omelette flambéd with rum, kirsch or Grand Marnier. Much of which, viewed now, sounds rather gruesome.
  The Seventies - 'The Culinary Greats' - brought Britain, but not Birmingham of course, the Roux Brothers, Raymond Blanc, Niko Ladenis and Anton Mosimann - not an English name among them - and foodies, if they existed and I suppose they did, were in raptures about mushrooms with Gruyère, garlic and white wine, smoked mackerel pâté, scampi provençale, duck a l'orange, beef en croûte, chocolate roulade, chicken Kiev and crème brûlée - presumably food was sophisticated if a number of vowels in the titles of the dishes were adorned with accents or had names taken from continental places or were, quite simply, a painful Franglais.
  The Eighties - 'Home grown talent' - 'home-grown' chefs including Shaun Hill (see Blog 7) who was Chef Proprietor at The Merchant House in Ludlow as well as others influenced by Elizabeth David and Jane Grigson using native produce from small local suppliers. Nouvelle cuisine which had arrived in the seventies was still hanging about in the early eighties. Trendy dishes were Twice cooked soufflé, gravad lax, watercress mousse, steak au poivre, mignons of Angus beef with Marsala and pink peppercorn sauce, steamed fillets of salmon and sole with a leek sauce, medallions of veal with tarragon and saffron sauce, tarte fine aux pommes, lemon tart, summer pudding and passion fruit soufflé. Still a lot of words with accents and still a good smattering of Franglais.
  The Nineties - The Rise of the Pub and Grand restaurants - British dishes have finally become trendy and more casualness ensures an extension of the gastronomic franchise to most of the population. Now we have chicken boudin with fennel and saffron, marinated fillet of salmon with lime, ginger and coriander salsa, layered terrine of fois gras and chicken on a Californian muscat jelly, rack of lamb with red pepper and olive compote, blackened rib of beef with Cajun spices, sea bass steamed in a parcel with spring onions, ginger, shiitake mushrooms, lime juice and sesame oil and caramelised lemon tart. The Gastropub had arrived.
  The Oughties - The rise of Britain (and Birmingham) as a culinary destination - Television promoted the restaurant industry's profile and raised awareness of food with the general public. Celebrity chefs further raised the profile of Fine food and the public was keen to try the glorious-looking dishes and confections they found on the various media. Those would could afford it were prepared to pay a lot of money for fine dishes but had high expectations of what they were spending their money on. Culinary fashions gave us Beetroot and black pudding salad with a poached egg, smoked haddock risotto with saffron and curry oil, slow-braised pig cheeks (cheaper even than pork belly) with potato purée and grain mustard sauce, saddle of venison with red cabbage and beetroot beignets, wild sea bass with scallops, rocket, asparagus and caviar beurre blanc, mackerel fillets with pine nuts, rosemary and apple sauce, vanilla pannacotta with Alphonse mango, warm chocolate fondant with pistachio ice-cream and, finally, passion fruit soufflé with passion fruit and banana sorbet. Not many accents and Franglais virtually extinguished.
  The Teenies or whatever we call this decade - The Rise and Fall of Fine Dining - where does one go when one has found the cheapest food possible and dressed it up to make it look exquisite, subjected it to extraordinary gastronomy to make it taste exquisite and sold it at such a price that you HAVE to belief that it is indeed exquisite? Forage on land and sea for ever more obscure herbs, cater to the increasing trend to vegetarian - nay, vegan - food, concoct dishes centred on ancient varieties of fruit, vegetable and animal and continue to resist the philanthropic urge to dump your water bath. So now we have Lamb sweetbread with asparagus, girolle mushrooms, garlic and parsley, Coquelet with hispi cabbage, apple and mushroom, Cornish mackerel with a salad of heritage tomatoes, lumpfish roe and basil, Cornish crab, chorizo mayonnaise and honeycomb, Black oyster with cucumber and charcoal, Orkney scallop with nasturtium and bonito butter and Foraged mushroom dashi with sea spaghetti (all these have been on recent menus in leading Birmingham restaurants).
  English society has changed beyond recognition since I was eating my off-ration sweeties as a child. Now we live under a new tyranny of suppression of free speech lest it result in the causing of offence. There is also the offence of using someone else's culture to one's own ends. Few people do this more than chefs as evidenced by the above dishes which borrow something from other people's cultures around the world. Perhaps this will be the culinary trend of The Twenties - the imperative to avoid offence and not use dishes from other people's cultures. Which means I suppose that we may all be back to dining on roast beef and Yorkshire pudding, faggots and peas, Lancashire hotpot and Cod and chips again, all no doubt with scatterings of freshly foraged wood sorrel and burdock and, of course, edible violas, to jazz them up a bit.


Friday, 5 October 2018

38. Michelin Guide 2019 - Around The West Midlands.



  What joy. My copy of The Michelin Guide Great Britain Ireland 2019 arrived today. As I pulled it from its packaging I immediately recognised that its weight was lighter than last year's edition. Mmmm .... why's that then? 750 pages this year, 900 pages last year. Last year's pages were printed on glossier, higher quality paper than this new 2019 edition. Obviously there's a grand effort afoot to reduce costs. Let's hope The Guide doesn't lose a star as a result!
  As detailed in Blog 35 Birmingham retained all four of its single stars - Adam's, Carter's Of Moseley, Purnell's and Simpsons. The city's Michelin Plate status has increased a little - out goes Lasan after Aqbar Islam gave up his role there and Turner's At 69 which of course closed earlier this year while Andy Waters, Asha's, Opus and The Wilderness retain their status and in comes Ben Tesh's Folium, Harborne Kitchen and Aqbar Islam's new venture Opheem.
  A little further afield Kenilworth's The Cross At Kenilworth retains its single star, Hampton In Arden's Peel's likewise holds on to its star and as reported in Blog 35 Stratford upon Avon's Salt has been awarded its first star. In Stratford also No. 9 Church St. pleasingly holds on to its Michelin Plate as do Lamb's in Sheep Street and Rooftop at the Royal Shakespeare Theatre.
  Over in Cheltenham we already know that David Everett-Matthias' Le Champignon Sauvage is down a star from two to one but the town has 10 Michelin Plates while last year it had 12! Cheltenham's gastronomic status has gone downhill a little this year but we must not forget that it still has 3 more Plates than Birmingham. The restaurants which have held on to their Plates are Lumière, Daffodil, Bhoomi, Curry Corner, East India Café, Prithvi, White Spoon, No. 131 and Purslane while Koj is awarded a Plate for the first time.
  The city of Wolverhampton has a single Michelin Plate in the form of Bilash, Worcester has one Plate (Old Rectifying House), Warwick has 1 Plate (Tailors), Leamington Spa and Coventry do not get a single mention in the Guide while Shrewsbury has a single Plate (The Haughmond). Burton-Upon-Trent is home to 99 Station Street which has a Michelin Plate and Henley-In-Arden has two Plate-holding restaurants - Cheal's of Henley and Bluebell.
  At Ludlow The Charlton Arms has a Bib Gourmand and Forelles (at Fishmore Hall), Mortimers and Old Downton Lodge are all recognised with a Plate. Lichfield has 2 Plates - The Boat Inn and Wine House, Broadway also has 2 Plates - Buckland Manor and Russell's, Ilmington has 1 Plate (Howard Arms), Great Malvern has 1 Plate (L'Amuse Bouche) and 1 Bib Gourmand (The Inn at Welland), Gloucester is not mentioned but Stafford has 1 Plate (Moat House). The Old Butchers at Stow-On-The-World has a Michelin Plate and surrounding the town are Fox Inn, Cafe at Daylesford Organic, Kings Head Inn and Feathered Nest which all possess a Michelin Plate.
  At Leintwardine The Lion holds a Plate, in Hereford there is Castle House in possession of a Plate, Long Compton is home to Red Lion (possessor of a Plate) and at Chipping Norton there is Wild Thyme which holds a Plate. Stoke on Trent does not get a mention in the Guide.
  This is not an exhaustive list of restaurants mentioned in The Michelin Guide 2019 in the West Midlands but covers many places in our region.